Eugene Onegin
Music by Pyotr Ilyich Tchaickovsky | Libretto by Pyotr Ilyich Tchaickovsky
Konstantin Shilovsky, after Alexander Pushkin
Music by Pyotr Ilyich Tchaickovsky | Libretto by Pyotr Ilyich Tchaickovsky
Konstantin Shilovsky, after Alexander Pushkin
Cover media by: Browen Sharp
Video Magic Sheet
Creative Team
The Santa Fe Opera
July 18th - August 19th, 2026
Director: Alessandro Talevi
Scenic & Costume Design: Gary McCann
Lighting Design: Rick Fisher
Wigs & Makeup: David Zimmerman
Video Supervisor: Dave Hult
Video Programming &
Content: Colby Anderson
Photos: Browen Sharp
About The Show
With unbridled passion, devastating heartbreak and unspoken regret, Tatyana’s love is rejected by Onegin, who, a little too late, realizes his mistake. Don’t miss this unforgettable journey through longing, desire and the haunting question: What if?
This striking production, directed by Alessandro Talevi with sets and costumes by Gary McCann, gives full expression to the 19th century Russian literary classic by Alexander Pushkin, which inspired Tchaikovsky’s opera. Conducted by Keri-Lynn Wilson in her company debut, the production also features the company debuts of Olga Kulchynska as Tatyana, Mattia Olivieri as Onegin, Peruvian tenor Iván Ayón-Rivas as Lensky and mezzo-soprano Lindsay Ammann in the role of Olga. Susan Graham performs the role of Larina.
Courtesy of The Santa Fe Opera
Content Overview
With this production being a remount of the 2019 performance, most design elements remained the same. However, the creative team expressed interest in adding a video element to a model dollhouse to enhance the moments in which it is highlighted. The house was used to create the illusion of the exterior in its relevant outdoor scenery. During moments such as the party in Act II, waltzing figures can be seen, as well as various different colors of glowing light throughout the piece.
The content was created by compositing several stock video assets into a large raster with multiple layers of shadow, with some animation tweaks, and then cropped into each display's feed.
Programming Overview
To achieve this effect, we used (2) FHD DVI outputs from redundant d3 2x4 pro servers, which fed a matrix for failover, and then into fiber adapters. From there, a fiber loom was ran onstage to the house where it was converted back to DVI and split using (2) DataPath x4s. These then fed each of the (6) TVs/monitors inside the windows. The feed maps were sliced accordingly, and the house was prevised as a 2D net within d3 to save time. The house was powered by a relay that would be killed at the first blackout following the conclusion of the house's use. Cues were triggered from Eos via MSC.
Pre-programming
Video Cue Sheet